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Abbey Road studios is probably the most famous studio in the world. The name itself is bound to trigger a few notes of recognition. Here are our picks for the best mastering plugins available in 2021: But, if we are doing it ourselves then hopefully this list of plugins will give you the tools you need to do a decent job and improve your music.
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A couple of the reasons for using a Mastering Engineer is that they bring a level of expertise in sound processing and a fresh set of ears. It’s a chance to step back and reassess your music from the perspective of delivering a final product. Mastering is what gives your music that final polish. If you are mastering a number of tracks or an album then you’ll also want to keep relative levels similar and it gives you a chance to put together a coherent tracklist. The task is to enhance the sound of the track as a whole, to ensure the overall level is right, that the stereo image is good and to even out the frequency ranges.
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The idea is to take a finished track, or a number of tracks, and examine them in a larger context. Sometimes seen as a bit of a dark art reserved for specialist Engineers, mastering is becoming more accessible all the time through the fabulous plugins and tools that are available to us. The microphone system will cost around 4,499 USD, which I think is actually quite cheap.Once we've finished mixing our tracks we move on to the task of mastering. There’s also quite a nice read on the Gearslutz forum, with quotes from Wade Goeke, the chief designer and Lester Smith, Abbey Road’s mic tech, who has been working at the studios since the days of the Beatles recordings. More Informationįor more information visit the webpage for REDD on Chandler’s website. One engineer who I know personally, Andrew Dudman, commented that this new mic is “full of character”. He comments that he “began thinking how appropriate it would be to have an Abbey Road microphone that uses historical EMI circuitry and paid homage to those sounds, while at the same time pushing the boundaries of microphone technology.”Īs part of the R&D of the new REDD Microphone, the engineers at Abbey Road were regularly asked for their opinions when comparing it to the countless of priceless mics they have at Abbey Road. Apparently Chandler’s chief designer Wade Goeke has been working on the product for six years. I can’t wait to hear what this mic can deliver. This switch will let enable you to run the mic cleanly, of for a more tonal and coloured sound. There’s a phase invert switch and a stepped gain control on the mic itself, along with a norm/drive switch. Therefore, this means it can be used with or without an external pre-amp. The microphone itself contains a platinum membrane capsule with a valve based REDD.47 microphone amplifier circuit. The package comprises of a mic and preamp resulting in a single “recording device”, with all the necessary accessories including external PSU, shock mount, 25ʼ Mogami cable, and a custom flight case. I think the the REDD Microphone should be referred to as a microphone ‘system’. The idea that the mic and the preamp are separated by as short a piece of cable as possible is something we all understand the theory but overlook. It also promises to be technologically ground-breaking by offering a microphone and pre-amp in the same product. This isn’t a clone or derivative of a U-something, but in fact a completely new product that’s been in development for several years. However, apart from the Abbey Road/EMI association, apparently that’s where the comparisons stop. This new REDD Microphone may been visually designed to look like an iconic mic from yester-year. Chandler Limited/Abbey Road REDD Microphone